In which a Southern bride has second thoughts, John D. Rockefeller discovers his God, National Geographic sparks a sexual awakening, Carl Sagan presides over a solemn rite, and you finally figure out why the blog is called The Sacrificing Animal
It is possible that
we are alone in the universe. Nevertheless, atheism is absurd. This is
a consequence of three laws of humanity and three laws of divinity. These laws structure the world in which we live, and move, and have our being.
1. Humanity is finite
2. The human being is a sacrificial
animal—a sacrificing animal and a sacrificed animal.
3. Human communities are founded on
this sacrificial act.
4. Divinity reveals itself within us
and without us.
5. Divinity is infinite.
6. Divinity cannot be demonstrated or
destroyed—it can only be feared or loved.
I will explain these laws in sequence.
Humanity
is finite. This is the essential feature of
mundane existence and the elementary fact of daily life. That doesn’t make it
an easy truth to live with. Every day, you are allotted twenty-four hours of
time and a limited number of calories. The number of places you can go, the
number of people you can see, and the number of things you can learn is finite.
You must decide how you will spend your allowance of hours and calories.
It is a crushing responsibility; because for
every place that you visit, for every person that you see, and for every thing
that you learn, there are innumerable places not visited, people not seen, and
things left unlearned. Every chosen actuality involves the sacrifice of
infinite potentialities. The first law of humanity thus produces the second: The human being is a sacrificial animal—a
sacrificing animal and a sacrificed animal. It is crucial for our sanity
that we rarely remember this. People who cannot forget are paralysed. The scent
of the altar is always in their nostrils. Every hour of every day, they smell
the smoke of their own sacrificed possibilities rising up toward heaven.
Let’s observe a common contemporary
sacrifice: the wedding. In this wedding, the bride panics fifteen minutes before the ceremony, because she can smell the altar waiting for her. She remembers that she
wants to be a lawyer. She wants to be a lawyer, and she would be good at it.
But she knows in a deep and secret place—a place barred tightly shut until just
this very minute—that this man will make no sacrifices for that possibility in her
life. She knows exactly what will happen at that altar. But her mother has
cooed the ambition back into its hole so many times that the dream is no longer
solid. Weakened by years of undermining, it is finally swept away by a creamy tide of
smiles, stockings, and social inevitability. And she really does love him.
So down the aisle she walks, leading herself behind her—a self with professional lips and wire-rimmed
glasses and expensive heels. As the priest recites the liturgy, the groom
lights the altar, scatters it with barley grains, and pours out the first
libation. Once the altar is crackling with hunger, the bride cuts a few hairs
from the coiffed head of the sacrifice and singes them in the flames—bringing
the god to his offering. Then she sprinkles some water on the victim's forehead. The sacrifice twitches as the drops splash down through well-plucked
eyebrows, and the bride chooses to take this as a nod of consent. When the
moment comes to say: “I do” the bride reveals the knife, hidden in the basket
of barley grains. In a twisting movement that is both firm and final, she slits
the throat of the sacrifice, and lets the blood splash out on the altar. The women
of the congregation take up a ululating cry as she kisses the groom. The
priest examines the liver, slips the entrails on the spit, and places the stair-mastered thighs on the altar for roasting.
We are sacrificing animals,
and we sacrifice ourselves.
This brings us to the third law of
humanity: Human communities are founded
on the sacrificial act. In the ancient Mediterranean world, this was quite
explicit. Every political, professional, and voluntary association was sealed
and cemented in communal sacrifice. When the Greek aristocrat Cleisthenes
launched Athenian democracy by reforming the citizens of Attica into ten voting
“tribes,” each tribe was named after an Attic hero. Tribal solidarity was
ensured by regular communal sacrifice at the shrine of the eponymous hero.
Modern communities are no different. We
are all members of many overlapping sacrificial communities. Some we chose,
some were forced upon us, and most we couldn’t tell you either way. We gather
in these communities to affirm our choice of life. We gather to reassure
ourselves that this way of life is worth the sacrifice of other possible
selves. And we gather to replenish the community through the sacrifice of fresh
possibilities in the form of new initiates. Sacrifices are performed by a single person, but they are consumed by the whole community. The
concluding moment in a Greek or Vedic sacrifice is the communal meal, where the
sacrificial community feasts on the parts of the animal that have not been
burned for the gods.
The blushing bride of our example lives
in a white, conservative, evangelical community of the American South. At the
moment of slaughter, an ululating cry of celebration erupts from a hundred prim
and powdered female throats. A hundred throats welcome our bride to the life of
the weekly social circuit, and all the arcana of a clean and timely household.
A hundred throats affirm their own sacrifice of so many years before as
righteous and proper. A hundred throats celebrate the persistence of the
sacrificial community in a new bearer for its way of life. And the young
unmarried men of the community—future lawyers, future dentists, future regional managers—who can one day expect to return to a well-cooked meal after a long
day of work—devour great cuts of those firm and professional thighs. The
sacrificial animal cannot survive alone, or endure the smoke of its own altar
without company.
Nor can it survive without the divine.
Communal sacrifice is not a random or arbitrary event—it is the natural
response to an epiphany. The original Greek word, epiphaneia, means a striking manifestation of the
divine. An epiphany reveals a god, and the proper response is to institute a
sacrificial cult. Every act of
sacrifice is dedicated to a god. To understand the sacrificial animal, you must
understand the laws of divinity, beginning with the first: The gods reveal themselves within us and without us.
Aphrodite makes a good example.
Aphrodite is inside of us. The jackhammer in your 9-year-old chest when you saw
your first crush, or the band saw in your 12-year-old skull when you discovered
a National Geographic with pictures of bare-chested Khoisan women in it? That was Aphrodite. Those jackhammers and band saws were internal epiphanies of Aphrodite. But
Aphrodite is not just inside of us, she is also outside of us. Aphrodite does not
just preside over love and sex, she incarnates love and sex at their Mostest.
This Mostest is forever beyond us. It is the point over the horizon that we are
constantly pursuing. Happily married couples are always finding new ways to
make each other happy, Casanova is always refining his techniques of seduction,
and connoisseurs of hardcore pornography are always escalating into weirder and
weirder stuff. These are products of Aphrodite’s horizonal epiphany.
But what about these strange new gods, who grant us strange new epiphanies in these latter days? Can we understand them as
gods at all? Yes. Strange though they may be, they are identically bound
by the first law of divinity. Take the stern smokestack god of
Capitalism—the god of productivity, efficiency, and a reasonable rate of
return. When a teenaged John D. Rockefeller tallied up his debits and credits
at the end of every day, a little gnome of satisfaction pranced a jig in his
belly as he saw his net worth grow. This was an internal epiphany of
Capitalism. When an aging John D. Rockefeller, long since the richest man the
world had ever seen, continued to absorb other firms, beat back the
trust-busters, and hone his profit margin to an ever keener edge, he was
sacrificing to an horizonal epiphany of Capitalism, a Mostest Money situated in an eternally receding horizon.
There is no “big enough” or “rich
enough” when dealing with divinity. The Mostest is unattainable by its nature.
St. Anselm said it best: the divine is aliquid quo maius nihil cogitari
potest, “that-than-which-no-greater-can-be-thought.” Whatever spectacular
plateau of fortune Rockefeller might reach, there were always greater gains in
productivity to be envisioned, greater market shares to be imagined, greater
fortunes to be contemplated. The process had no end. In confirming the first
law of divinity, we have stumbled on the second: Divinity is infinite.
Which means we must be careful. Finite
beings that we are, in dealing with infinite divinity, we are always in danger
of flying too close to the sun. A dark epiphany can swallow you whole, and even
a bright epiphany may be consuming. This is the origin of the politics of
epiphany—the elaborate system of attractive and apotropaic rituals that
structures our relations with the ones we love. The politics of epiphany are
most obvious in the process of parenting. Good parenting demands constant
attention to the byzantine complexity of the divine realm, and a musical sense
for how to construct attractive and apotropaic rituals.
An attractive ritual is designed to
elicit a bright and desirable epiphany. An attractive ritual summons a god
capable of giving your child a secure, profitable, and fulfilling future life.
Good parents understand that happiness come from a life in service to a god—the
life of a devotee. Happy people do not sit on their ass. Happy people are
devotees of a particular deity—Music, Art, Computer Programming—whatever. These
are gods willing to share their infinite divine life. They hook their followers
with an internal epiphany: the challenge of joy. Then they reel them into an
infinite future with a horizonal epiphany: the joy of challenge. So we
celebrate when our children discover a god willing to share its divine life—to
infuse their veins with purpose and vigor—with the challenge of joy and the joy
of challenge.
Good parents fill the lives of their
children with attractive rituals for bright gods. They create landing pads for
epiphany: piano lessons, cartooning class, computer club. They live in the hope
of a keyboard epiphany that will transform piano lessons from a source of
irritation into a source of growing joy. Anyone who watches television interviews understands the process. When people who are very good at things— tennis
players, linguists, particle physicists—are interviewed about what they do,
they recite the cosmogony of their own career. The cosmogony always begins with
a bright epiphany: “Well when I was eight, my dad forced me to take tennis
lessons. For the first six months, I hated it, but I remember there was this
moment when…”
An apotropaic ritual is designed to
ward off a harmful god—to avert a dark epiphany. There is nothing fixed or
objective about the distinction between a bright and dark epiphany. The
judgment varies between cultures and individuals. Many fathers have fiercely
desired an epiphany of Mars for their son, but many mothers have feared the
same epiphany all the fiercer. No starker contrast could exist between Republican
Rome and our own culture, where parents conscientiously forbid their children
to play with toy guns or watch violent movies. They know how many devotees of
Mars eventually spill their entrails on foreign soil, even as the immortality
bestowed by glorious death has lost its appeal. The decline of martial and
civic gods and the ascent of Capitalism and Science—which value peace for the
free exchange of commodities, individuals, and ideas even as they barbarize war
with nerve gas and nuclear weapons—has pulled the curtain off The Old Lie: dulce et decorum est, pro patria mori.
But the ancient god of Respect (who in earlier epochs bore the name of Honor) is still
dangerously alive in the rougher neighbourhoods of every American city, where his
devotees respond to disrespect with libations of 9mm slugs. Legions of
after-school programs and neighborhood basketball leagues attempt to ward off Respect, and all the other dark street side epiphanies. A central deity of the urban post-industrial pantheon has now departed her original stomping grounds and is
gaining devotees at an alarming rate. From affluent California suburbs to the
hill country of Appalachia, every parent now fears the epiphany of the first
syringe. In addiction, we recognize the consuming power of divine infinity in
its purest form. For an addict, nothing will match the glory of the first
syringe, the internal epiphany that rendered him a devotee. He will chase its
memory—a horizonal epiphany—into the consuming sun of a final overdose.
This danger is not restricted to the
socially stigmatized deities of the urban-industrial pantheon. “Addiction” may
be a word of universal censure, but “obsession” refers to a far more ambiguous
reality. The dividing line between the labor of dedication and the monomania of
obsession is by no means clear. Many parents attract an epiphany by forcing
their daughter into computer programming club—only to resort to apotropaic
rituals of limited computer time and enforced outside play when she starts
spending nine-hour stretches in front of the screen. American culture is divided
on the figure of the Wall Street financier pulling fifteen-hour days. We slap
him on the back for stimulating the economy and providing his children with an
Ivy League education. But we are uncomfortable with the consequences of his
bottomless drive to accumulate. How many meaningful conversations will he have
with his son this year? What effect are his activities having on the earth’s
biosphere? We rightly wring our hands over the coming collapse of gasoline
civilization and the dangers of nuclear power. But divine infinity—and the
invisible human organ that responds to it—remains our most volatile source of
energy.
We live at the mercy of the gods. For
all the rhetoric of modernity, the gods cannot be overthrown. Infinity extends
into intangibility and invincibility, and these corollary qualities produce the
final law of divinity: Divinity cannot
be demonstrated or destroyed—it can only be feared or loved. Reason,
argumentation and demonstration are purely instrumental:
they are tools in the hands of a predetermined end or goal. In
matters-of-fact—the scientific world of material and efficient causality—these
tools rightly take center stage. But they play a subordinate role in the realm
of matters-of-conviction—the human world of formal and final causality where
ends or goals compete for devotees. The politicians of epiphany, the devotees
who search out new initiates for their cult, understand that demonstration is
useless in the absence of a shared god. They cannot demonstrate their own god or destroy their enemy’s god through a
rigorous logical progression. They can only inspire fear or love—casting
shadows on an enemy deity or granting a bright epiphany of their own.
The politician of epiphany is thus a Hierophant. This is a Greek word
constructed from the words ta hiera “the holy” and phainein “to
show.” In order to understand how a Hierophant actually operates, let’s examine
one of the most successful Heirophants of the 20th century—Carl
Sagan.
“In science it often happens that scientists say, 'you know that's a
really good argument; my position is mistaken,' and then they would actually
change their minds and you never hear that old view from them again. They
really do it. It doesn't happen as often as it should, because scientists are
human and change is sometimes painful. But it happens every day. I cannot
recall the last time something like that happened in politics or religion.”
The final sentence is of course absurd.
Not only do people revise their positions all the time in both politics and
religion, but Sagan is blaming the dog for not being the cat in refusing to
acknowledge any distinction between matters-of-fact and matters-of-conviction.
We will bracket this absurdity and restrict ourselves to the first four
sentences. This is where Sagan reveals how well he understands the politics of
epiphany and demonstrates the techniques of a successful Hierophant.
The Hierophant’s job is to elicit an
epiphany—to bring the initiate into the presence of the holy. In the Eleusinan
Mysteries of ancient Athens, the Hierophant guided the initiates through rites
of purification that lasted several days. The Heirophant then performed an
ecstatic ceremony that climaxed with the presentation of the sacred objects. We
still have no idea what these objects were, but in the cleansed perception of a
purified initiate, they clearly had a transformative effect. The evidence is
their continuing obscurity: the Eleusinian Mysteries were conducted for over a
millennium, and no initiate ever divulged their secrets. Sagan is a Heirophant,
bringing his readers into the presence of the holy; he is granting them an
epiphany. But rather than present sacred objects, he re-presents a sacred
scenario. The moment Sagan describes is a composite one, formed from a lifetime
of his own personal epiphanies. This exquisite moment—in which public evidence
triumphs over private prejudice—crystallizes the beauty that Sagan discovered
in the practice of science.
The moment Sagan describes contains a
twofold epiphany. On the surface, it grants us an internal epiphany. The moment
throbs with moral beauty. The peculiar truth of moral beauty is that the more a
decision hurts when it is experienced from the inside, the more pleasure it
communicates when it is viewed from the outside. This moment of personal
sacrifice for the sake of Truth entrances and inspires us. It discloses
divinity by giving us joy. But this joy arrives with a challenge. The challenge
is to maintain that same level of commitment to the Truth. The challenge is to
always have the courage to say: “you
know that's a really good argument; my position is mistaken” in the face of
clearly demonstrable evidence. This takes us beneath the surface of the moment,
to the horizonal epiphany enfolded within. The purely rational, objective, and
impersonal behavior of the scenario’s scientist sets a bull’s-eye in the
heavens. It establishes a transcendent standard to which we can aspire. Our
efforts will always be failing (finite humans that we are) but this horizonal
epiphany carries us ever upward. This is the challenge in which the scientist
finds his joy.
Science is a god. It is a higher possibility within us, to
which we are responsible. It is a transformative horizon beyond us, by which we
orient ourselves. Consider the only qualifying statement in the Heirophant’s
utterance: “[this moment] doesn't
happen as often as it should, because scientists are human and change is
sometimes painful.” Sagan’s use of that idiom is revealing.
He is acknowledging that humanity is finite and flawed by nature. But he is
also affirming that this finitude conceals a divine capacity. We have the
ability to shed the snakeskin of our personal prejudices and ascend to a truly
impersonal perspective on reality—the objective standpoint—the Martian
standpoint—the standpoint of Truth. In doing so we transcend ourselves. We
become divine. This is the holy mystery of Science, and Sagan was inspiring in
his dedication to bringing new initiates to that sacred plateau. Legions of bright
young men and women, who might have been literary critics or diplomats, chose
to be scientists on the strength of Sagan’s beatific vision. The quote we are
examining is currently making the rounds as a Facebook meme, but Sagan’s
crucial platform was his television show: “Cosmos.” The cosmogony of many
scientific careers can be found in childhood viewings of “Cosmos,” in which the
hypnotic voice of the Heirophant conducted them to an internal epiphany of the
beauty of Science, sparking a lifelong ascent towards its corresponding horizonal epiphany.
Sagan conducted them to their own sacrifice, and they should be forever
grateful.
Science will always need Heirophants of
the Sagan caliber. Gods can be neglected and scorned, abused or starved. Only
the patience, tradition, and sacrifice of human cult keeps a deity healthy.
Sagan spoke of Late Antiquity in funereal tones, as a time when bright young
men and women abandoned the philosophical schools for monastic life and
priestly office, and a Christian mob murdered the female philosopher,
scientist, and mathematician Hypatia. Much popular interest in Hypatia dates to
Sagan’s paean to her in his book Cosmos,
where he paints her as the last steward of the great Library of Alexandria,
condemned as a witch by the rising tide of Christian superstition and
barbarism. He’s full of crap on most of the historical details, but that’s not
the point. The point is that gods flourish on sacrifice, and Sagan understood
that the god he loved would wither and wane in the absence of a continuing
cult.
And yet, even if Sagan’s darkest
nightmares were realized, even if Science was drowned in a tide of religious
zeal or nuclear conflict, so long as humans are alive, Science will never be
destroyed. A new epiphany could revive the cult, and a new epiphany will always
be possible. Gods cannot be killed—they can only be starved into silence. Gods
are gods because they respond to something eternal, something that will always
be with us. Every one of us bears the complete pantheon within ourselves. We are
all saints and scientists, rabbis and rapists in potential.
These are the questions to which every
historical life and culture is an answer:
Who will you fear and who will you
love?
Who will you starve and who will you
feed?
This blog will chart the contours of
humanity’s deathless pantheon, and use the laws of Divine-Humanity to
understand our history and imagine our future.
Very thought provoking, and rightly so – thank you.
ReplyDeleteI once knew someone who was trained as a hierophant when he was selling Encyclopaedias back in the late 50s. Also, although they were not actually that man’s customers, I knew a young couple who bought the most expensive brand for the epiphany you describe.
On the other hand I knew a teacher (he did not teach me, rather the next generation) who developed different methods with different results from the ones you describe. He involved for example a rhythmic ‘curvilinear’ even balletic approach to handwriting that made it a fun performance. He was also able to elicit multi-media utterance from hitherto silent minds given the chance to expound on such profound experience as the dark in a tent on a camping holiday for the first time. I have also met a similar if more disturbing kind of artistic output from children presenting insights into difficult family circumstances.
Acknowledging sensitivities to both the human and non-human worlds perhaps allows handling rather than suppression of real experience – and this facility is perhaps of survival value not just in remote cultures. Such personal capacity for realising sensitivity can sometimes be surprising when we find we have it and discover it in other people.
Who knows, perhaps we can utilise with advantage those mirror neurons in reciprocation also with the non-human and even inanimate worlds? Our culture does not give much scope for such recognition, but where it has occurred I have seen it find, for example Keats a fellow explorer and guide in the terrain. The casement opened and let the warm love in, one might say. Peopling our perceptions with stories can enable language to deploy its extraordinary conversational power? Keats’ borrowing, for example, of classical personages from their ‘stories’ seems to have liberated his perception without any contradiction with reality or any censorship from an irrelevant 'real' or 'unreal' debate: refreshing really.
Not so much divine requiring mortality – or infinity – more an endless opportunity for the while it lasts – brief though it must be. Not to be confused I think with the inevitable closing down of potential that begins from the moment we are born, nor with the milestones along that road?
Keep stirring the pot and the stories coming.
best
Phil H